I'm back from a very emotional "high" for me and many other music educators in Texas and around the nation. The Texas Choral Directors Association convention was the first professional convention I've attended since February of 2020. We were in "lock-down" three weeks after my return from TMEA in 2020, and we have been longing to gather again for months.
Wanetta Hill graciously agreed to help me with our booth during TCDA, and I believe she knows everybody in Texas!! It was wonderful to see everyone enjoying themselves during this very special time of reunion. Everyone was thrilled with the prospect of going back to their school and church choirs, yet no one really knows what to expect when they return. The "virus" seems to determine everyone's ability to plan, and the "one day at a time" mentality seems to be the only choice. One thing is for certain, no matter what situation unfolds, we have the "best of the best" out there in the choral classrooms, doing their best for their students.
Here are some highlights from my time spent with fellow choral music educators, writers, and directors:
It was wonderful to have friends stop by the booth to chat for a few minutes. In the photo above, from left, are Wanetta Hill (one of my wonderful, delightful lyricists), me, Victor Johnson (composer extraordinaire and choral editor with Choristers Guild....and one of the nicest guys in the entire world), and René Brain (fabulous pianist/accompanist and all-'round delight). I love these special folks, because we are all for the other person's success. For some reason, competitiveness seems to be present among many, and you can trust this, too: There are just as many of us who are totally supportive of each other, delighting in each other's success. We all have our strengths, and no one composer/teacher/conductor creates music exactly like another person. We all have our purposes and our uniqueness in this business.
Earlene Rentz and Cherry Tadlock-Garasi
Cherry Tadlock-Garasi holds a very special place in my heart as the person who saw possibilities in a piece I wrote in 2000. She was my choral editor with Warner Brothers Publications for many years, and she is now in Belton, Texas, where her husband Michael Garasi is in charge of the instrumental program at the University of Mary Hardin Baylor. I am so excited for Cherry and Michael (and all of Texas), and I know their future at UMHB is bright with promise. Cherry was responsible for the publication of my most successful piece to date (over 200,000 copies sold) entitled Sleigh Bells. Cherry conducted that piece in clinic after clinic, and she believed in it! All these many years later, it continues to sell-away! I will never wane in my gratitude for Cherry. She is amazing!